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https://w.atwiki.jp/hanakame/pages/17.html
キャラ名 finnegan ご尊顔 呼び方 ダイソン パンティ 熟女 ﾄﾞﾛﾝ女 TENGA オルゴール伯爵 別キャラ Carpent babyfaith プチヴェール いつから 飲み屋のねーちゃん（ついてる場合有り）の良さを知ってから 履歴 ローレル→SteelWill→TENGA 罪状 頭髪偽造の容疑で家宅捜査、パンモロ半裸で強制連行*2、小さい女の子が好きだッ！！ ひとこと こらるんもやれば癖になるさｗ 好きなプレイ 掃除機にふとももを吸わせる事 願望 細木数子に警官コスプレさせて職質プレイでｱﾝｱﾝ言いたい、または天童よしみに「舐めらたらアカン、舐めたらアカン」言わせながら後ろから攻めたい 戦略 自己主張の強くない子でいなくなってもあまり気づかれない感じの人がベストｗ競争相手少ない方が都合いいじゃんｗ 処理の仕方 拭かずに練り歩く 合コンでの必殺技 テイクアウト ヤッて捨てる 好きなTENGA エッグ型 TENGA 使うならどこ？ eyeだよ愛！！ 好きなサプライズ ついてた・・・
https://w.atwiki.jp/litemint-io/pages/54.html
Hellfire Mastery 見た目 性能 デッキに入れると全てのHellfire cardの効果を+1 デッキに入れただけで効果を発動する(passive card) 入手方法 50勝
https://w.atwiki.jp/hmiku/pages/15925.html
【登録タグ F kossy 初音ミク 曲】 作詞：Souya 作曲：kossy 編曲：kossy 唄：初音ミク 曲紹介 歌詞 (動画より転載) So long ago... and now still goes on Two hearty are fallin' apart They are called lover 声を聞かせてよ この距離がどんなに遠くたって We will never surrender 永遠さえ 阻めない絆で 離れ離れ 遥かな想い エルドラドは見つからないまま 星を、時を 幾度巡っても まだ… 恋焦がれて 求め続けては 手と手、瞳と瞳 すれ違ってゆく いつか いつか それでも信じ続けて Final Universal Love, anyway we are seeking forever すべて超えてみせて 想いの証 銀河より輝いて… 不可能があるのなら 覆してく逆説も成り立つの We will be together 最初で最後の愛だから 離さないで どんな欠片でも 引き裂かれて粉々になって 星に、時に 散らばってしまっても 恋焦がれて 求めた形が 手と手、瞳と瞳 重なり合うとき ひとつ ふたつ つながって満たす心 Final Universal Love, this heart shall know what is a love どんな言葉、身体に変わろうとも 伝えたいのはひとつ Final Universal Love, anyway we are seeking forever すべて超えてみせて 想いの証 銀河より輝いて… コメント 名前 コメント
https://w.atwiki.jp/civilization/pages/309.html
MOD/作成情報/GlobalDefines.xml MOD/作成情報/GlobalDefines.xml [#sd66bbf3] はじめに [#sc9ba456] 編集対象ファイル [#mddfcb60] GlobalDefines.xml [#x01a1816] 設定項目キーの詳細 [#da3f109d] はじめに ゲーム全体に関わる設定の編集方法の概要です。 CIV IV Wiki(英語サイト)のhttp //civ4.wikidot.com/xml globaldefines を参考にしながらBeyond the Sword日本語版3.19で調査しています。 無印、WLと比べるとキーの種類が増減していると思われるので注意してください。 編集対象ファイル yenMy Games yenSid Meier s Civilization 4(J) yenBeyond the Sword(J) yenCustomAssets yenXML yenGlobalDefines.xml GlobalDefines.xml ＜Define＞タグで設定について定義。 要素名 説明 備考 DefineName 設定項目キー。このキーが設定項目なので詳しく後述 iDefineIntVal 整数による設定値 それぞれ設定項目キーごとにどれで設定値を書くか決まっているので、設定値ではなくタグ自体を勝手に変えると危険。 fDefineFloatVal 小数による設定値 DefineTextVal 文章による設定値 設定項目キーの詳細 ＜DefineName＞に使われる設定項目キーの詳細について。 使われている場所が見つからないことを確認し変更しても意味が無いだろう項目についてはこの背景色で表示 BtS本編では使っていないことを確認したがMODを作る際に他の部分の変更を伴えば効果があるだろう項目についてはこの背景色で表示 設定項目キー 説明 初期値 CIV4_VERSION ゲームのバージョン番号 319 MIN_VERSION ？ どこで用いているか不明 000 SAVE_VERSION セーブデータのバージョン 302 MAX_NUM_LANGUAGES ？ 言語の種類を増やせる最大の数？ 100 LAND_TERRAIN 陸地の基本的な基本地形 TERRAIN_GRASS DEEP_WATER_TERRAIN 陸地から離れた水タイルの基本的な基本地形 TERRAIN_OCEAN SHALLOW_WATER_TERRAIN 陸地のそばの水タイルの基本的な基本地形 TERRAIN_COAST LAND_IMPROVEMENT 市民が働いている陸地タイルの見た目を変えるための地形改善 IMPROVEMENT_LAND_WORKED WATER_IMPROVEMENT 市民が働いている水タイルの見た目を変えるための地形改善 IMPROVEMENT_WATER_WORKED RUINS_IMPROVEMENT 都市を破壊したときに残される地形改善 IMPROVEMENT_CITY_RUINS NUKE_FEATURE 核兵器を落とした後に残される特殊地形 FEATURE_FALLOUT GLOBAL_WARMING_TERRAIN 温暖化による変化先の基本地形 TERRAIN_DESERT CAPITAL_BUILDINGCLASS 首都を決定する建物 BUILDINGCLASS_PALACE DEFAULT_SPECIALIST 市民配置を解除したときに配置されるデフォルトの専門家 SPECIALIST_CITIZEN INITIAL_CITY_ROUTE_TYPE 都市が道扱いされるときの道の種類 ROUTE_ROAD STANDARD_HANDICAP プレイヤーの初期難易度 HANDICAP_NOBLE STANDARD_HANDICAP_QUICK クイックゲームのときのプレイヤーの初期難易度 HANDICAP_CHIEFTAIN STANDARD_GAMESPEED ゲームスピードの初期設定 GAMESPEED_NORMAL STANDARD_TURNTIMER ターンタイマーの初期設定 TURNTIMER_MEDIUM STANDARD_CLIMATE 気候の初期設定 CLIMATE_TEMPERATE STANDARD_SEALEVEL 海面の初期設定 SEALEVEL_MEDIUM STANDARD_ERA 開始時代の初期設定 ERA_ANCIENT STANDARD_CALENDAR ？ CALENDAR_DEFAULT AI_HANDICAP AIプレイヤーのハンディキャップ HANDICAP_NOBLE BARBARIAN_HANDICAP 蛮族のハンディキャップ HANDICAP_CHIEFTAIN BARBARIAN_CIVILIZATION 蛮族の文明 CIVILIZATION_BARBARIAN BARBARIAN_LEADER 蛮族の指導者 LEADER_BARBARIAN MAX_PLOT_LIST_SIZE ？ 10 MAX_PLOT_LIST_ROWS ？ 10 EVENT_MESSAGE_TIME 画面上部中央に表示されるさまざまな報告が自然に消えるまでの時間 10 EVENT_MESSAGE_TIME_LONG 敵の接近などのときに表示されるアイコンなどが自然に消えるまでの時間 20 EVENT_MESSAGE_STAGGER_TIME ？ どこで用いているか不明 3 START_YEAR ゲームスタート時の年 -4000 WEEKS_PER_MONTHS 1ヶ月が何週間かを指定 4 TERRAIN_POINTS 5 RECON_VISIBILITY_RANGE 航空ユニットの偵察任務で見える範囲 5 PLOT_VISIBILITY_RANGE タイルが見える範囲の基本値 1 UNIT_VISIBILITY_RANGE ユニットが見える範囲の基本値 1 PEAK_SEE_FROM_CHANGE 山岳タイルから見るときの見通し(*1)の補正加算値 2 PEAK_SEE_THROUGH_CHANGE 山岳タイルの見通しの補正加算値 2 HILLS_SEE_FROM_CHANGE 丘陵タイルから見るときの見通しの補正加算値 1 HILLS_SEE_THROUGH_CHANGE 丘陵タイルの見通しの補正加算値 1 SEAWATER_SEE_FROM_CHANGE 水タイルから見るときの見通しの補正加算値 0 SEAWATER_SEE_THROUGH_CHANGE 水タイルの見通しの補正加算値 0 RAND_YIELD_PRESENCE_DIE_ROLLS ？ どこで用いているか不明 16 MAX_YIELD_STACK タイル産出のシンボルが大サイズになる数 5 MOVE_DENOMINATOR ？ 移動コストをどれだけ細分化して管理するか？ 60 STARTING_DISTANCE_PERCENT 初期配置のときに各文明間を離す距離のマップ全体のサイズに対するパーセンテージ 12 OWN_TEAM_STARTING_MODIFIER チーム戦のときにAIが都市を味方に近い方に建てやすくなる補正倍率 80 RIVAL_TEAM_STARTING_MODIFIER チーム戦のときにAIが都市を敵に近い方に建てやすくなる補正倍率 125 MIN_CIV_STARTING_DISTANCE 初期配置のときに各文明間を離す最低距離 10 MIN_ANIMAL_STARTING_DISTANCE 動物ユニットが発生するために必要な他のユニットとの距離 2 MIN_BARBARIAN_STARTING_DISTANCE 蛮族ユニットが発生するために必要な他のユニットとの距離 2 MIN_BARBARIAN_CITY_STARTING_DISTANCE 蛮族都市が発生するために必要な他の都市との距離 2 MIN_CITY_RANGE 都市を建てられる最低距離 2 FREE_CITY_CULTURE 都市を建てたタイルに初期に蓄積される文化値 2 FREE_CITY_ADJACENT_CULTURE 文化圏に取り込まれたタイルに初期に蓄積される文化値 1 CITY_FREE_CULTURE_GROWTH_FACTOR 都市の文化レベルにより余分に蓄積される文化値 20 GREAT_WORKS_CULTURE_TURNS 大芸術家などのユニットによる文化増加を内部的に何回に分けて処理するか 20 OWNERSHIP_SCORE_DURATION_THRESHOLD 領土スコアに加算されるために必要なタイルの占有ターン数 20 NUM_DO_GOODY_ATTEMPTS お菓子の小屋のイベントを選ぶ際に何回まで再抽選を行うか(*2) 10 MAX_CIVIC_OPTIONS 各社会制度の選択肢の最大数 5 BASE_CIVIC_ANARCHY_LENGTH 社会制度変更時の無政府状態期間の基本値 1 BASE_RELIGION_ANARCHY_LENGTH 国教変更時の無政府状態期間の基本値 1 COMMERCE_PERCENT_CHANGE_INCREMENTS 科学スライダーなどの変更の刻み幅 10 INITIAL_TRADE_ROUTES 初期交易路数 1 NUM_OR_TECH_PREREQS 技術の前提技術のうち「どれか1つでよい」ものの最大設定数 4 NUM_AND_TECH_PREREQS 技術の前提技術のうち「全て必要である」ものの最大設定数 4 NUM_UNIT_AND_TECH_PREREQS ユニットの前提技術のうち「全て必要である」ものの最大設定数 3 NUM_BUILDING_AND_TECH_PREREQS 建物の前提技術のうち「全て必要である」ものの最大設定数 3 BASE_RESEARCH_RATE 研究につぎ込まれるビーカーの基本値 1 NUM_UNIT_PREREQ_OR_BONUSES ユニットの前提資源のうち「どれか1つでよい」ものの最大設定数 4 NUM_BUILDING_PREREQ_OR_BONUSES 建物の前提資源のうち「どれか1つでよい」ものの最大設定数 4 NUM_CORPORATION_PREREQ_BONUSES 建物の前提資源の最大設定数 5 NUM_ROUTE_PREREQ_OR_BONUSES 道系の地形改善の前提資源のうち「どれか1つでよい」ものの最大設定数 2 MAX_WORLD_WONDERS_PER_CITY 同一都市に建てることができる世界遺産の最大数 -1 MAX_TEAM_WONDERS_PER_CITY 同一都市に建てることができるチーム遺産の最大数 -1 MAX_NATIONAL_WONDERS_PER_CITY 同一都市に建てることができる国家遺産の最大数 2 MAX_NATIONAL_WONDERS_PER_CITY_FOR_OCC OCCの場合の同一都市に建てることができる国家遺産の最大数 5 MAX_BUILDINGS_PER_CITY 同一都市に建てることができる建物の最大数 -1 INITIAL_CITY_POPULATION 都市の初期人口 1 INITIAL_AI_CITY_PRODUCTION AI都市の設立時にあらかじめ入っているハンマー 10 BASE_CITY_GROWTH_THRESHOLD 人口を増加させるのに必要な食料の基本値 20 CITY_GROWTH_MULTIPLIER 人口増加に必要な食料の人口1人あたりの増加値 2 FOOD_CONSUMPTION_PER_POPULATION 人口1人が消費する食料 2 NEW_HURRY_MODIFIER ハンマーが全く入っていないものを緊急生産するときの補正値 50 CONSCRIPT_MIN_CITY_POPULATION 徴兵を行うために必要な最低人口 5 CONSCRIPT_POPULATION_PER_COST 徴兵の際の人口1人あたりのハンマー量 60 CONSCRIPT_MIN_CULTURE_PERCENT 徴兵を行うために必要な最低文化比率 10 FRESH_WATER_HEALTH_CHANGE きれいな水による衛生変化値 2 POWER_HEALTH_CHANGE 電力の供給による衛生変化値 -2 DIRTY_POWER_HEALTH_CHANGE 不衛生な電力供給による追加衛生変化値 -2 INITIAL_CITY_MAINTENANCE 都市維持費の初期値 0 MAX_DISTANCE_CITY_MAINTENANCE 距離依存の維持費の基本値 25 MAX_TRADE_ROUTES 都市あたりの交易路の最大本数 8 MIN_TIMER_UNIT_DOUBLE_MOVES 同時ターンゲームのときにユニットを動かしてからもう一度動かせるようになるまでにかかる時間 32 DYING_PAUSE ？ どこで用いているか不明 8 COMBAT_DAMAGE 戦闘のダメージ計算の基本値 20 AIR_COMBAT_DAMAGE 地上部隊への爆撃のダメージ計算の基本値 30 INTERCEPTION_MAX_ROUNDS 迎撃戦闘のラウンド数の最大値 5 MAX_INTERCEPTION_DAMAGE 迎撃戦闘のラウンドあたりのダメージの最大値兼基本値 50 MIN_INTERCEPTION_DAMAGE 迎撃戦闘のラウンドあたりのダメージの最小値 10 RANGE_COMBAT_DAMAGE 遠距離砲撃のダメージ計算の基本値 30 COLLATERAL_COMBAT_DAMAGE 副次ダメージのダメージ計算の基本値 10 MAX_HIT_POINTS 内部的なヒットポイントの最大値 100 COMBAT_DIE_SIDES 内部的な戦闘の判定に用いる乱数の最大値 1000 HILLS_EXTRA_DEFENSE 丘陵の防御ボーナス 25 RIVER_ATTACK_MODIFIER 渡河攻撃による攻撃ボーナス -25 AMPHIB_ATTACK_MODIFIER 上陸攻撃による攻撃ボーナス -50 ENEMY_HEAL_RATE 敵対地域におけるヒットポイント回復率 5 NEUTRAL_HEAL_RATE 中立地域におけるヒットポイント回復率 10 FRIENDLY_HEAL_RATE 味方地域におけるヒットポイント回復率 15 CITY_HEAL_RATE 都市におけるヒットポイント回復率 20 FOUND_RELIGION_CITY_RAND 聖都の決定に用いる乱数の最大値 10 FOUND_CORPORATION_CITY_RAND 企業本社の決定に用いる乱数の最大値？ 10 GREAT_PEOPLE_THRESHOLD_INCREASE 必要偉人ポイントが自分の偉人発生のたびに増加する倍率 50 GREAT_PEOPLE_THRESHOLD_INCREASE_TEAM 必要偉人ポイントがチームメンバーの偉人発生のたびに増加する倍率 50 GREAT_PEOPLE_THRESHOLD 偉人を発生させるために必要な偉人ポイント 100 GREAT_GENERALS_THRESHOLD_INCREASE 必要大将軍ポイントが自分の大将軍発生のたびに増加する倍率 50 GREAT_GENERALS_THRESHOLD_INCREASE_TEAM 必要大将軍ポイントがチームメンバーの大将軍発生のたびに増加する倍率 50 GREAT_GENERALS_THRESHOLD 大将軍を発生させるために必要な大将軍ポイント 30 BASE_SPY_SABOTAGE_COST 旧仕様スパイの改善破壊コスト 200 BASE_SPY_DESTROY_COST 旧仕様スパイの生産物破壊基本コスト 50 SPY_DESTROY_COST_MULTIPLIER_LIMITED 旧仕様スパイの生産物破壊コストの制限数付き生産物の場合の補正倍率 4 SPY_DESTROY_COST_MULTIPLIER 旧仕様スパイの生産物破壊基本コストの制限数無しの生産物の場合の補正倍率 2 BASE_SPY_STEAL_PLANS_COST 旧仕様スパイの研究奪取基本コスト 100 SPY_STEAL_PLANS_COST_MULTIPLIER 旧仕様スパイの研究奪取コストの補正倍率 1 QUICKSAVE QuickSave LAKE_PLOT_RAND 160 PLOTS_PER_RIVER_EDGE 12 RIVER_SOURCE_MIN_RIVER_RANGE 4 RIVER_SOURCE_MIN_SEAWATER_RANGE 2 LAKE_MAX_AREA_SIZE 9 INITIAL_BASE_FREE_UNITS 4 INITIAL_BASE_FREE_MILITARY_UNITS 2 INITIAL_FREE_UNITS_POPULATION_PERCENT 24 INITIAL_FREE_MILITARY_UNITS_POPULATION_PERCENT 12 INITIAL_GOLD_PER_UNIT 1 INITIAL_FREE_OUTSIDE_UNITS 4 INITIAL_OUTSIDE_UNIT_GOLD_PERCENT 50 ANIMAL_MAX_XP_VALUE 5 BARBARIAN_MAX_XP_VALUE 10 BASE_GOLDEN_AGE_UNITS 1 GOLDEN_AGE_UNITS_MULTIPLIER 1 GOLDEN_AGE_LENGTH 8 GOLDEN_AGE_GREAT_PEOPLE_MODIFIER 100 HILLS_EXTRA_MOVEMENT 1 FEATURE_GROWTH_MODIFIER 25 ROUTE_FEATURE_GROWTH_MODIFIER -50 THEIR_POPULATION_TRADE_PERCENT 50 CAPITAL_TRADE_MODIFIER 25 OVERSEAS_TRADE_MODIFIER 100 FOREIGN_TRADE_MODIFIER 150 FOREIGN_TRADE_FULL_CREDIT_PEACE_TURNS 50 OUR_POPULATION_TRADE_MODIFIER 5 OUR_POPULATION_TRADE_MODIFIER_OFFSET -10 TRADE_PROFIT_PERCENT 20 EXTRA_YIELD 1 FORTIFY_MODIFIER_PER_TURN 5 MAX_FORTIFY_TURNS 5 WW_UNIT_KILLED_ATTACKING 3 WW_KILLED_UNIT_DEFENDING 1 WW_UNIT_KILLED_DEFENDING 2 WW_KILLED_UNIT_ATTACKING 2 WW_UNIT_CAPTURED 2 WW_CAPTURED_UNIT 1 WW_CAPTURED_CITY 6 WW_HIT_BY_NUKE 3 WW_ATTACKED_WITH_NUKE 12 WW_DECAY_RATE -1 WW_DECAY_PEACE_PERCENT 99 NUKE_FALLOUT_PROB 50 NUKE_UNIT_DAMAGE_BASE 30 NUKE_UNIT_DAMAGE_RAND_1 50 NUKE_UNIT_DAMAGE_RAND_2 50 NUKE_NON_COMBAT_DEATH_THRESHOLD 60 NUKE_BUILDING_DESTRUCTION_PROB 40 NUKE_POPULATION_DEATH_BASE 30 NUKE_POPULATION_DEATH_RAND_1 20 NUKE_POPULATION_DEATH_RAND_2 20 GLOBAL_WARMING_PROB 20 GLOBAL_WARMING_FOREST 50 GLOBAL_WARMING_UNHEALTH_WEIGHT 20 GLOBAL_WARMING_NUKE_WEIGHT 50 TECH_COST_EXTRA_TEAM_MEMBER_MODIFIER 50 TECH_COST_TOTAL_KNOWN_TEAM_MODIFIER 30 TECH_COST_KNOWN_PREREQ_MODIFIER 20 PEACE_TREATY_LENGTH 10 MAX_ANARCHY_TURNS 100 MIN_REVOLUTION_TURNS 5 MIN_CONVERSION_TURNS 5 OCCUPATION_CULTURE_PERCENT_THRESHOLD 75 BASE_OCCUPATION_TURNS 3 OCCUPATION_TURNS_POPULATION_PERCENT 50 BASE_REVOLT_OCCUPATION_TURNS 2 REVOLT_OCCUPATION_TURNS_PERCENT 3 REVOLT_TOTAL_CULTURE_MODIFIER 100 REVOLT_OFFENSE_STATE_RELIGION_MODIFIER 100 REVOLT_DEFENSE_STATE_RELIGION_MODIFIER -50 REVOLT_TEST_PROB 10 NUM_WARNING_REVOLTS 1 BASE_REVOLT_FREE_UNITS 1 REVOLT_FREE_UNITS_PERCENT 15 NO_MILITARY_PERCENT_ANGER 334 AT_WAR_CULTURE_ANGER_MODIFIER 50 CULTURE_PERCENT_ANGER 400 RELIGION_PERCENT_ANGER 800 HURRY_POP_ANGER 1 HURRY_ANGER_DIVISOR 10 CONSCRIPT_POP_ANGER 3 CONSCRIPT_ANGER_DIVISOR 10 DEFY_RESOLUTION_POP_ANGER 5 DEFY_RESOLUTION_ANGER_DIVISOR 20 TEMP_HAPPY 1 BASE_WAR_WEARINESS_MULTIPLIER 2 FORCED_WAR_WAR_WEARINESS_MODIFIER -50 MULTIPLAYER_WAR_WEARINESS_MODIFIER 0 PERCENT_ANGER_DIVISOR 1000 BASE_FEATURE_PRODUCTION_PERCENT 67 FEATURE_PRODUCTION_PERCENT_MULTIPLIER 0 DIFFERENT_TEAM_FEATURE_PRODUCTION_PERCENT 67 UNIT_PRODUCTION_PERCENT 100 BUILDING_PRODUCTION_PERCENT 100 PROJECT_PRODUCTION_PERCENT 100 MAXED_UNIT_GOLD_PERCENT 100 MAXED_BUILDING_GOLD_PERCENT 100 MAXED_PROJECT_GOLD_PERCENT 100 MAX_CITY_DEFENSE_DAMAGE 100 CITY_DEFENSE_DAMAGE_HEAL_RATE 5 UPKEEP_POPULATION_OFFSET -8 UPKEEP_CITY_OFFSET -1 CIRCUMNAVIGATE_FREE_MOVES 1 BARBARIAN_FREE_TECH_PERCENT 3 RAZING_CULTURAL_PERCENT_THRESHOLD 25 BASE_CAPTURE_GOLD 20 CAPTURE_GOLD_PER_POPULATION 10 CAPTURE_GOLD_RAND1 50 CAPTURE_GOLD_RAND2 50 CAPTURE_GOLD_MAX_TURNS 50 CITY_BARBARIAN_DEFENSE_MODIFIER 25 MIN_EXPERIENCE_PER_COMBAT 1 MAX_EXPERIENCE_PER_COMBAT 10 EXPERIENCE_FROM_WITHDRAWL 1 MAX_EXPERIENCE_AFTER_UPGRADE 10 BUILDING_PRODUCTION_DECAY_TIME 50 BUILDING_PRODUCTION_DECAY_PERCENT 99 UNIT_PRODUCTION_DECAY_TIME 10 UNIT_PRODUCTION_DECAY_PERCENT 98 BASE_UNIT_UPGRADE_COST 20 UNIT_UPGRADE_COST_PER_PRODUCTION 3 WAR_SUCCESS_DEFENDING 3 WAR_SUCCESS_ATTACKING 4 WAR_SUCCESS_UNIT_CAPTURING 1 WAR_SUCCESS_CITY_CAPTURING 10 WAR_SUCCESS_NUKE 10 GAME_CITY_SIZE_METHOD METHOD_EXPONENTIAL GAME_CITY_SIZE_MAX_PERCENT_UNIQUE 0.7 GAME_CITY_SIZE_EXP_MODIFIER 1.05 GAME_CITY_SIZE_LINMAP_AT_0 8 GAME_CITY_SIZE_LINMAP_AT_50 240 DIPLO_VOTE_SECRETARY_GENERAL_INTERVAL 4 TEAM_VOTE_MIN_CANDIDATES 2 DIPLOMACY_VALUE_REMAINDER 10 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https://w.atwiki.jp/tljtrans/pages/206.html
I m a friend of Reza Temiz. If this is Damien, he would know Reza Jericho. I don t work here. I m a friend of Reza Temiz. Jericho. Jesus, how did you―? Wait, let me just― Did Jericho send you? I haven t been able to contact him. What did you just do? I made sure that this remains a private conversation. How did you get in here? This place is a bloody fortress. I m getting good at finding my way into impenetrable fortresses. I m Zoë. Damien Cav― Right, you already know who I am. Which I find sort of disturbing. I told Jericho that he couldn t talk to anyone about this. Jericho s gone. Something s happened to him. But he left me enough info to locate you. He s disappeared? Jesus. That s not good. What about Rio? She went to see Jericho. Five days ago. Is she...are you close? We work together. Why, what s happened? I think she s dead. Are you serious? Jesus. I m in way over my head on this one. I shouldn t have asked her to go. What happened to her? I don t know. I found her in Jericho s apartment. She was hooked up to this white plastic thing, and there were wires going into her head. The Dreamer. That s what it s called. A Dreamer. It s not supposed to kill you. I know. They hooked me up to one. Who hooked you up to a Dreamer? Two girls. Twins. I don t know who they work for, but I m guessing they re connected to your company. I ve seen them around. They work for Ms Gilmore, the president. I think maybe they got to Rio as well. And they re after Jericho...after Reza. I was hoping he d made it here. I haven t heard from him since Thursday. Sorry. Rio rang me when she got into Casablanca and told me she d met with Jericho. That must have been right before... I found her in Jericho s apartment, and minutes later the EYE raided the place. I was arrested, but they let me go the next morning. Is there anyone who isn t involved in this? This what? I decided to track Reza down in order to help him. He s my best friend. But I don t know what this is, or what I ve gotten myself involved in. Now Reza s vanished, and you re the only lead I have left. Can you please just tell me what this is? You don t know anything? Only what I ve picked up on the way here. Reza never shares his stories with me. I know that WATIcorp is working on something, and that they ve been testing it out on people in Newport. You called it the Dreamer . I know that the Dreamer is probably connected to the Static somehow, and that s most likely what Reza was investigating in the first place. And I also know that WATIcorp is keen to keep all of this under wraps. Keen enough to kill people. Apart from that... I have no idea who you are, what you ve told Reza, what Rio was doing in his apartment, and what this Dreamer thing is all about. So you re going to have to fill me in, and I m not leaving here until you do. I ve come too far to go back now. If I can t help Reza, at least I want to know why. I want the truth. Right. Wow. Okay. I understand you want the truth. I wish I could tell you... I m putting myself at great risk here, Zoë. I don t know who you are. For all I know, you could be working for the corporation. Then again, if you do, I m already done for anyway, so... You re right about all of it. We...WATIcorp s working on something big. The Dreamer. It s a device that ll let you dream anything you ve got a mind to dream. Lucid dreams. You re awake and in control. Can you just imagine the possibilities? Every other entertainment medium would simply disappear overnight. Why watch a movie when you can dream it? However... About three months ago, something happened. There was a...contamination in the network that connects each Dreamer console with the central processor, Dreamcore. I used to work on the network code, the parts that link the Dreamers with DreamNet. When the problem appeared, my bosses asked me to head up the group charged with identifying the problem on this end, to weed out the bugs. What we discovered was that DreamNet was beginning to slip out of our control. There was a contamination, but it wasn t a bug. It wasn t internal. We figured someone had hacked into the network, and introduced a virus or worm. Something sneaky and adaptable. It didn t take me long to realise there was a link between the Static and our problems. The Static wasn t the cause...it was the effect. Whatever had infiltrated DreamNet was, for lack of a better word, leaking out onto the Wire, causing glitches and system crashes. When I told my supervisors, I was instructed to not ask any questions, and to just keep working on the problem. So I did what they told me. But at the same time I started digging deeper on my own. And that s when I met Rio. She was working with the biological systems that run our code and operates DreamNet - the central processor known as Dreamcore. She d been digging, too, and, like me, she d reached an impasse. So we started working together to identify and nail down the contamination. So we kept digging, and then one day, about a week ago, we discovered something that changed everything... WATI isn t making these things to entertain people. They re making them to spy on and to control people. DreamNet was designed to record people s dreams. And Dreamcore was designed to analyse them. And that s just the beginning. By feeding data back through the Dreamer, they can plant thoughts, instructions...even hypnotic suggestions in people s heads. DreamNet is the biggest brainwashing experiment of all time, disguised as mindless entertainment. What? Oh. Right. Exactly. Someone s trying to take control of the network. The most dangerous weapon of all time... Rio and I, we realised we had to tell someone, but we also knew that the corporation would do anything to protect their secret. If we went to the media, we d be dead. We had to find someone with the guts to expose WATI, while protecting our identities. The Hand That Bites. Who better to expose this conspiracy than Jericho and his notorious feed? We knew he wouldn t be afraid to go up against WATIcorp. This is... And you re sure about this, Damien? It sounds like, like science-fiction. The people behind it seem to believe that it s possible, and the Dreamer works. I ve tried it many times. It s incredible, like nothing you ve ever experienced. But to know they have free access to your innermost thoughts... I won t use it again, that s for sure. Not with everything I know now. I go down to sub-level fifty-eight. In exactly half an hour from now, you ll disengage the alarm, and I ll open the door. Remember that once you re through, the door will be tagged for maintenance by the security systems. I got that. And the rest of it? Thanks, Damien. You too. Good. Keep in mind that I can t call you while we re inside the building, so we won t be in touch until this is over. Best of luck, Zoë. I got it. All of it. I m not sure that s the right word, but I don t know how else to describe it. I could hear the voices of thousands of people around me. It does sound as though the Azadi have plans with this tower, April-an. But I cannot see what that would be. As for this place you discovered deep below us, this...chamber of dreams? This worries me, April-an. Dreams are powerful things. Combined with this Azadi machine, if that is what it is, it could have serious consequences. I tried going back through, but the rock s solid. There s a half mile of mountain between us and the caves. Without the portal, there s no way down there. I will look at the wall in the cellar where you said the portal opened up. Perhaps I can learn how this musical magic works. I must say that I am intrigued. Keep this under wraps, Na ane. Don t let anyone get wind of what you re doing. Not even Benrime. We don t know what we re dealing with yet. Of course. I shall be cautious. Perhaps this is the opportunity we have been praying for. If we do not soon find a weakness in the Azadi front... Then we keep fighting them with the weapons we already have. What else can we do? I am not suggesting we lay down our arms, April-an. But we are fast dwindling in numbers. We re not dead yet, Na ane. And it might be that this new information will help us. Not a day goes by when someone is not killed, captured and sent west to an unknown fate, or abandons the cause. We may soon need an alternative to force. They are many, we are few, and the Azadi support amongst the common people grows daily. If that tower is as important as I suspect it is, we have a new target. I ll talk to some contacts, see what they know, and what they ve heard. Tell Brynn and Chawan to get the remaining supplies on their own. They ll need to leave tomorrow evening as planned. We can t afford any delays. Will you not go with them? I haven t decided yet. It depends on what information I manage to dig up. If I get a lead, I ll have to follow it. So be it. I may wait for you, but I will leave a message with Benrime if I, too, set course for home. He is eager. He is open. He is perfect. 彼は熱心です。率直です。彼なら大丈夫です。 I hope you are right. He is our last hope... そうだと良いのだが。彼は我々の最後の望みだ…。 Have faith. The undreaming will be unleashed, and it will― 信じてください。アンドリーミングは解き放たれるでしょう、そして― Quiet, brother. The walls have ears. 静かに。壁に耳ありだ。 Oops. Sorry! Did you want something? No, it s nothing! Sorry! You all right, girl? Where...where am I? You re still at The Fringe. You don t remember? I don t know. I... How did I get back here? Back? You haven t moved all night. Couple of guests found you passed out. You were drugged. That s what it looks like. I checked the cameras, but there was nothing on them. The crystals were wiped. When we found you last night, I called a friend of mine. A doctor. She came by and checked you out. She said you were on some kind of synth, but that you d sleep it off. So I closed the room and kept an eye on you all night. That s not possible. I was...somewhere else. April, she― I met April. April Ryan! I was in Arcadia, the place she spoke about. I was there! So...so I couldn t possibly have been here. Zoë... Look, I ve been checking in on you every fifteen minutes all night long. You couldn t have gone anywhere without me noticing. You were fed some kind of hallucinogenic. You ve probably been having very vivid dreams. Maybe you re right. But it felt real enough. Dreams Was it all just a dream? That s impossible! I was there! I spoke with April. She was...she wasn t very cooperative. But I did speak with her. Real There s no way it was just a dream! All I know is that you ve been sleeping right here since we found you. Sorry about that. It was a potent drug. My friend couldn t identify it - like I said, some kind of synth - but she said the readings were off the chart. Your mind was on fire. She also said you d be fine, once the drugs had worn off. I would ve called a hospital, but I figured we d both be happier without corporates sniffing around. My clientele is a bit...sensitive about their privacy. And I figured you d feel the same way. I m glad you didn t call anyone. As far as the EYE s concerned, I m still in Casablanca. You left Emma and me at the table to make a call. Twenty minutes later some guests found you passed out in the booth. They gave up their reservation quite willingly. They didn t want to get involved. Sorry? Girl, it s not your fault that someone drugged you. But you might want to consider getting out of this before you get hurt. You don t remember anything? I can t just abandon Reza. No. Last night s a blur. The first thing I remember is waking up in... No, I don t remember anything from The Fringe. Huh. Actually, I m not receiving any signal here. You re, uh, a ghost. Thanks. That sounds perfect. I could definitely use a shower and a change of clothes. I didn t see anyone. But apparently our friend Marcus Crozier checked in just before the incident. Did you see whoever did this to me? And he brought two guests. Wait, I remember...part of it. Marcus, the twins... Hi, this is Reza. I m either busy or I m sleeping. Either way, let me know what s up, and I ll call you right back. Thanks. Come on. Let s move out. Your journey is about to begin. Follow me. あなたの旅は始まろうとしています。こちらへ。 April. I m pleased to see you. Pleased...and surprised. I m just as surprised as you are, Gordon. How, uh, how have you been? I...don t know. This place... I m both a part of it and apart from it. I m no longer who I once was, though I remain who I once was. There is natural dichotomy to the Balance. Positive and negative, reality and dream...being and unbeing. Sounds confusing. I don t envy your role. You re standing in the middle of a very busy intersection. I don t know any other way to be anymore. I...remember. But my memories feel like they belong to someone else. So, April... You have come to me with questions? I didn t know where else to turn. Something s going on with the twin worlds, and I need to know what you know. You re right. Something touches the Balance between the twin worlds. Dreams. Threads that weave through the Divide. But the Balance remains undisturbed. Dreams have always passed between the world of Stark and the world of Arcadia. That is how the worlds stay connected, how magic and science remain inextricably tied to each other. The laws of nature, of the universe, are stronger than the artifice of the Divide. So it s not something dangerous? Not you I don t know, April. There are forces far stronger than the Balance at play here. Dreams make up the fabric of cosmos. Yet my responsibility lies solely with the channeling of energies between Stark and Arcadia, between science and magic. And you don t know anything about these dreams? I know this. Your role in these events has come to an end. You are not the one who will set things right this time. I m...not. Who will? That s not for me to see. Your fate has always been tied to the Balance, April. I see where our paths intersect. I can t see into the Dreaming. The Dreaming? What s that? The Dreaming? The place where everything begins. You, me, this realm, the twin worlds...time, matter, cosmos. Everything. It all begins in the Dreaming. You re being obtuse. You know I hate it when people are being obtuse. I m sorry. I don t know any more than that. But you don t have to carry the burden on your shoulders this time around, April. You re free. Go live your life. Let the past go. That s easy for you to say. There s meaning to your existence. Me? I wasn t who I thought I was. I honestly have no idea who I am anymore. Everyone kept telling me I was important, that I was needed. Then one day, I...wasn t. I was just lost. So don t tell me I m free. Don t tell me to go live my life. You don t know. You have a purpose. We all do, April. You just haven t found yours yet. But this isn t it. Let it go. Okay. Done. I m officially letting this one go. There s nothing more you can tell me? Only what I sense. Dreams are passing from Stark to Arcadia, but not the other way around. A slow trickle that may grow to a torrent. But this does not concern the Balance, and so it does not concern me. I guess that s good news. Thank you. Thank you. Safe journeys, April. I am at the crossroads between waking and dream. 私は夢と現実との岐路に立っている。 One path leads back to the world I left behind. The other path... 一方は私が後にした世界に通じている。もう一方は…。 The other path leads to a place of shadows. もう一方は影の世界へと通じている。 But in truth, it is too late. My choice was made many years ago, when I first embarked on this journey. I cannot turn back. だが、もう遅い。私は何年も前に選択し、そして旅が始まった。後戻りはできない。 I am at a crossroads, but for me there is only one path. 私は岐路にいるが、選択の余地はない。 I leave behind these words in the hope that, someday, they will serve as a map for someone else. いつか、だれかの道しるべとなることを願い、これを書き残す。 To whomever reads this, Godspeed on your journey. If you ever decide to follow in my footsteps, look me up. これを読む者へ、旅の無事を祈る。もし私の足跡をたどるなら、私を訪ねてほしい。 Ex-calling Hi, Reza. Hello. Are you busy? Mmm, not really. Why? I need to talk to you. Can you meet me at Moca Loco? Sure. When? Now? I m already on my way there. All right. I ll see you in a couple of minutes. Great. See you there. One Brian Westhouse. Brian Westhouse。 I don t usually look this pale, but that s what you get for being in a coma. But that would be a lie. The only thing I could have said...is goodbye. It might just be the most important thing ever. I think he ll be very lonely when I m gone. Security spider. I hate spiders. Security spider. Shit. I really hate those things. Spider revealed What was that? Must be some kind of viral ad... Wonkers, I don t have time to― ―but remember the time we hopped the Vactrax to Europolis without telling anyone, and you got completely shitfaced? Wh-what? I had to carry you to that sleazy hotel down on Jarl Street, and you spent half the night throwing up. Zoë, this is Reza. I, uh, modified Wonkers a bit to make him play a pre-recorded message in case something happened to me. I don t want you to worry. All this means is that I haven t checked in with him for twenty-four hours. I m probably okay. However, in case something s happened, I need you to do me a favour. I keep an updated copy of my notebook in my apartment at all times. It contains everything about the story I m currently working on. I wire over my notes and research twice a day. I need you to get that notebook now, and take it somewhere safe. If I m... If I m in trouble, get the information inside to my editor. You ll need to decrypt it first, so talk to you-know-who. She can take care of that, I m sure. To find the notebook - I keep it somewhere safe - go to my apartment and tell Lucia what I told you the day you left for Cape Town. She will find the notebook for you. Like I said earlier, I m probably okay. Maybe I just forgot to check in. Maybe Wonkers has malfunctioned. But get the notebook, just in case. You re the only person I can trust with this, Zoë. Keep it safe, and I ll see you soon, okay? ―which is why men wear cups. Diane? Well, that s a kick in the groin, Ryan. Thanks! Now, who are you, and what were you doing in my laboratory? The next morning you bought me that antique lighter. Remember? Wonkers, my best mechanical friend. He s a genuine Watilla, but he s a bit...outdated by now. Second examine Poor old Wonker is brainless. Literally. Examine brainless Pick up Reza doesn t have a cat... And why is the door to his apartment open? Oh, my God...the building s being raided! Commandos On your knees! Hands behind your head! Listen, I― I warned you! Please deliver it to Jericho as soon as possible. My mobile s beeping! Beeping I spoke with Jericho a couple of days ago. He called me, asked me some questions, I answered them. That s all. Okay, well, I guess that s a start. Victory Hotel. Return encounter Oh, hello dear. I see. So Benrime sent you to find Magda. Now why would she do a thing like that? And why would she say something like that? Because I m...I m, um, not from around here. That much is quite obvious. Because... Probably because I m not from around here, and I need help. Anyone can see that. You stick out like a black beetle in a flour sack. And that is a very dangerous thing to do. Very well, I will do what I can to assist you. You will certainly need it. I just want to go home again April... I may have heard that name before. What would you with her? I don t know. I need to find her. We have something in common, and I think...I think she s in trouble. And you intend to save her? How do you propose to do that? I don t know that either. I just need to find her. Hmm. Well, I apologise, but I cannot help you there. 201 Twins? They re working together. They were in Reza s apartment back in Casablanca. And they were here last night. So they must ve been the ones who drugged you. Maybe. But I don t understand why they didn t just...kill me. I mean, that s the second time they ve attacked me, and I m still walking. If there s one thing I ve learned it s to not look a gift horse in the mouth. You re alive. Don t ask too many questions. Ow. Maybe you re right. Maybe I should just go home while I m still... You okay, Zoë? Just my head. Yeah, I m okay. You can stay here as long as you need to. And I can call my doctor friend again. No need to go to a hospital. No, I should go home. Thanks, Charlie. I really appreciate it. No problem, girl. Drop by if you re ever in town again. And keep me updated. If you find your friend, or if you...if you hear from April. I will, Charlie. Thanks for everything. Hi, it s me again. I m in― I met Charlie, and I followed your tracks to the hotel. It s too noisy here. I should use one of the VIP rooms upstairs like Charlie suggested. Can t use I hope everything s okay, Reza. Please call me if you― when you get this message. That must be Charlie. Examine, haven t met Charlie seems like a really nice guy. Examine, have met Emma. Her full name is Emma de Vrijer. I read an article about her a while back. She s a performance sculptor. Emma s really down-to-earth. Marcus! I was just about to― Reaction That guy should be selling cars, not junk. Examine far met He looks like he could sell pretty much anything. And, okay, he does. He s a friendly guy. Examine near met He s selling something. Well-stocked store...or garbage dump? There s a door up there. A...mysterious door. There s a neon sign on that wall. The Fringe . Liv s been my best friend through thick and thin. She s awesome. Examine Olivia If Liv doesn t have it in stock, she can get it for you in twenty-four hours - whatever it is. There s so much crap in here, it s a miracle Liv keeps track of it all. Jama Mbaye, my martial arts teacher. Information. He ll know what to do with it. Yes. Yes, I m Helena Chang. How do you know my name? Why did you react to my name earlier? Do you know my father, Gabriel? Castillo She acted a bit strange when I told her my name Your father? No. No, I...I knew a Castillo once. A long time ago. I m sorry, but I don t have time for chit chat. I have to leave. Wait, I need to ask you― What kind of information? Information What s in that package? I m sorry, but that s really none of your business. The package is for Jericho s eyes only. I have to leave. Please deliver the package to Jericho right away. And thanks again for your help. I shall not forget it, Zoë Castillo. Hey. Hey, wait! Dammit. Reza has some serious explaining to do. Between the familiar and the unknown, between certainty and doubt, my choice would seem obvious. 既知と未知、確信と疑念とに関わらず、私の選択は明白だった。 Any sane man would turn around, return to the world he knows, forget what he has learned, and live his life in blissful ignorance. まともな者なら、自分の世界に戻り、すべてを忘れ、屈託のない幸福な人生を送っただろう。 Hiya, Wonkers. Wonkers? Don t you get bored, just sitting here in my room? I know I do. Bored Doesn t Wonkers ever get bored? Zoë! Do you want to play a game? Not today. I m just not in the mood. Oh. Okay, then. Yes, Zoë? Remind me what s on my schedule today, Wonkers. Wonkers can interface with our home server and remind me about appointments I don t get bored. I think a lot. You do? About what? About the fun times we ve had together, Zoë. The memories make me happy. Wonkers, that s...sad. Why? I m not programmed to feel sad, Zoë. I m programmed to feel happy, always. Lucky you. I wish I knew what that was like... Well, there s the gym at eleven thirty. Right. And after that? No, Zoë. That s all. I really need a job... What s on my schedule again? Just the gym, Zoë. You don t have anything else on your schedule. Right. I m absolutely pathetic. So what are the headlines today? He keeps track of all the headlines that might interest me Gagan Garlanka was spotted with Chinese model Vivian Zhu last evening at the swanky Europolis nightclub Bitte . Witnesses told― Mmm, no. Next story, please. Casawi playboy Baptiste Messod shocked audiences at― Skip the entertainment news. Is there anything else? It turns out that Bingo! branded diet wine has more calories than― Do you have any real news? You ve programmed me to track entertainment news and diet related headlines, Zoë. If you want to reprogram my newsfilter, that s easy. Oh. No, I guess I ll...access a newsfeed. I need to get going. Exit Are you sure you don t want to play a game? We haven t played a game in so long. I m sorry, Wonkers. I just...haven t felt much like playing lately. Okay, then. Thanks, Wonkers. Talk to Wonkers Yes? Can I help you? After meeting Charlie What were they talking about? 何のことを話していたのだろう？ Whispering monks comment 囁いていた僧侶のコメント He s meditating. I shouldn t disturb him. During ritual He s waiting for me to step into the circle. After ritual Please, traveller. Step onto the dais. どうぞ、旅の方。台座に上がってください。 Step up again Hey, Zoë. Are we still on for tonight? Definitely. We have the house to ourselves. Just bring a bottle of wine and a date. Wine, I can do - but a date? You ll just have to invite some more guys over. See you tonight, Zoë! I m looking for Charlie. Charlie I can t find Charlie Charlie s right over there. Has talked to Charlie After meeting Emma He s down there, past the bar. Time to move on Whatever. Uh-huh. The place is kinda quiet, isn t it? Quiet This place looks completely dead Look, it s a cocktail lounge, not a café. Right now, it s the middle of the afternoon. Things heat up around midnight, and everyone stays until sunup. Right. That makes sense. Where s Charlie again? He s right over on the other side of the bar. It s not like he s hard to find or anything. So...have you worked here long? Small talk Make with the small talk Why are you asking me questions? Uh...no reason. Okay, so stop. It s annoying. Charlie said I could use one of the VIP rooms to make a call. Private Where s that private room Charlie spoke about? Upstairs. There s an empty one all the way down on your left. Don t stay long. It s been reserved. And don t talk to the VIPs. Because you re...not. Where s the VIP room you said I could use? Upstairs. All the way down on your left. Does it get any more crowded than this? Lounge There aren t exactly a whole lot of people here This is an exclusive cocktail lounge. People don t come here for the crowds. They come here to chill out. It just seems a little dull, that s all. Look, this is how the rich and famous like to party, okay? If you don t like it, you can go back to...to...wherever. Casablanca. Whatever. I. Don t. Care. Time to run That s the hostess. Carlita s coming over tonight for the, uh, soirée . I don t know Jawhar very well, but I ve met him a few times. He s, uh, nice. I guess. Jawhar...something. I don t know his last name. Hey, how are you? I hear you re having a party tonight. Is that right? No. Well, yes, a few close friends are dropping by. You re, um, welcome to join us. If you want. Sorry. I m going nightcrawling with some buddies from college. We ll be running the gauntlet until Monday. Cool. Sounds fun. Good luck with that. Enjoy your weekend. Olivia s store, Alien the Cat . She does quite well for herself. She s got lots of regular customers. So how about them Casawi Critters, Ryan? Well, Diane, funny you should ask. Cricket s coming home, folks, and the Critters are knocking them down like there s no tomorrow! In the opening innings, the Casawi fast-bowlers came out gunning for glory with the fire-power to back it up. Blessed be the Six, child, you startled me! You speak English! Oh, thank God. Listen, I m not sure what s happ― Speak what? Who are you? Where do you come from? I― I don t know. I think I m...I m dreaming. It s just that, no matter what I do, I can t seem to wake up. Dream? This is no dream, child. Do you need me to pinch your arm? What? No. N-no, that s... I m... The twins, they did something to me, something― How did you get in? We don t open until midday. Open what? The inn, child! What do you think? Are you soft-witted or... By the Balance, you are from...from the other side, aren t you? Gracious me, another Shifter. (Sighs) Why do they always end up here? Another what? You must go see Minstrum Magda immediately. She will explain everything. Minstrum Magda? Leave now, but be cautious, and don t speak a word of this to anyone. They have ears everywhere. L-look, I don t know what s going on, and I don t know what a Shifter is or why I m supposed to see this Magda person, and― I understand that you re frightened, child. You don t understand! I have absolutely no idea what s going on! Did you say April Ryan ? Yeah! Do you know her? No. I don t recognise the name. You need to see Minstrum Magda, child. (Deep breath) I guess I don t have a choice, dream or no dream. Where can I find her? She moves around, but Blind Bob ought to know where she is. He s right outside. You can t miss him. Blind Bob, Minstrum Magda, underground cities and strange monsters... I feel like I m inside some kind of fairytale. All right. I ll go talk to, uh, Blind Bob. Thank you. What s your name? Benrime Salmin, child. I m the innkeeper of the Journeyman Inn. I m Zoë. And thank you. I m sure I will see you again. You re the only person I know in this...this place. Blind Bob Just a quick reminder about how we fight. You have light and heavy attacks. Excellent work, Zoë. Have I taught you nothing, Zoë? You need to focus. Where s your mind at? (Fighting noises) Oof! Aah! Ugh! I know this already. It is worth repeating. Light attacks are fast, but can be blocked. Heavy attacks are slow, but they are also unblockable. If you re quick, however, you can dodge a heavy attack. And that will give you the upper hand, since an opponent needs time to recover. Don t get too cocky now. Remember, keep your guard up, block my punches, and attack only when my defenses are down. Got it? Got it. Let s go. Those are Mani wheels, imprinted with the mantra Om Mani Padme Hum . It s a blessing. Liv s been my best friend for years. Dad. "This is an automatic reminder sent by..." Shit. The gym. I have to hurry. I think Dad misses wearing a lab coat. He usually has to wear a suit these days. My backpack. Nothing much in there. Jardin des Roses. The definition of a godforsaken cul-de-sac. Dad hasn t bought any new furniture since I left for university. Dad s carry-on luggage. I should clean up that mess...at some point. I need some new clothes. I don t have anything to wear. My backpack s in here, somewhere. Backpack My backpack s in here. Backpack again Wonkers. Third examine I ll have to put Wonkers together again after all this is over, or I won t be able to live with myself. Examine brainless again Huh? Those clothes are clean...I think. Dad and I have a great system for keeping the kitchen clean. We don t use it. The kitchen hasn t seen much use lately. I m not cooking anything. Not as long as there s take-away. When was the last time anyone pruned anything back there? We so need a new gardening bot. There s the party tonight. There s nothing before that? Hey, Wonkers, I...need you to switch yourself off for me. Switch off Because... Because I just need you to go to sleep for a bit. All right, Zoë. Promise to wake me up later? Sorry. I ll put you back together once this is all over. I just need to twist the neck like... ...that. Ouch. That s it. The processing crystal. I promise. Nighty-night. Home sweet home. I never thought I d be moving back here. It s a weekday, and no one s working, not even a maintenance bot. What s happened to this city? Liv s having her lunch. It s an ancient postbox. Jardin des Roses. Carlita.
https://w.atwiki.jp/muppy/pages/7.html
[Public Health/Medicine in General] Do not forget about ageism described in Tsuchiya et. al.(2003) Productivity Health Maximization Fair Inning [Africa and Development] Africa Two salient public health problems facing Africa are HIV/AIDS and Malaria Leading causes of death by age in the African Region, 2002 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 #imapge #imapge Malaria genus plasmodium anophiline mosquito 500 million people are infected 1 million people are died every year # Cost-effective Intervention Preventive treatment in pregnancy with sulfa drugs 13-24 dollars per DALY averted Residual household spraying9-24 dollars per DALY averted Insecticide-treated bed nets5-17 dollars per DALY averted Preventive treatment in pregnancy with newer drugs2-11 dollars per DALY averted HIV/AIDS 38 million people are infected Country Example Family PlanningSuccess in SE-Asia Limited Success in SSA MortalityFormer USSR SSA Demographic Transition ExceptionHistorical France and USA Current Former USSR and SSA
https://w.atwiki.jp/motorstormer/pages/39.html
トロフィー獲得でのアンロック ランク トロフィー 条件 マシン プラチナ Over Drive 49個全てのトロフィーを解除 Atlas Earthquake(Monster Truck) Race Fan 250回レースに参加 Voodoo Thunder Lizard(Monster Truck) シルバー Recruit Me 全コース・マシンで開発者のゴースト記録を破る Wombat Typhoon(Buggy) Speeder 16枚のSPEED RACEチケットを全て解除 Ozutsu Daimyo(Racing Truck) Zero Crash 16枚のSURVIVAL RACEチケットを全て解除 Springbok Namibia(Racing Truck) Last Survivor 16枚のSURVIVAL RACEチケットを全勝 Atlas Arizona(Big Rig) シルバー Speed Demon 16枚のSPEED RACEチケットを全勝 Mojave Globetrotter(Mud Plugger) シルバー Can't Touch This クラッシュしないで任意のRank 8レースを優勝 Springbok Kalahari(Racing Truck) シルバー Second Best 全96レースで銀または金メダルを獲得 Wombat Mudslide(ATV) ゴールド Champion 96枚のGold Medalを全て獲得 Mirage Bastille(Mud Plugger)、Monarch Backpacker(Big Rig) Challenger オンラインでRANKING GAMEを50レース完走 Ozutsu Ronin(Rally Car) Casual オンラインでCASUAL GAMEを50レース完走 Wombat Beachmaster(Buggy) God オンラインでRANKING GAMEをクラッシュせずに優勝 Beelzebuggy Spaceframe Ⅱ(Buggy) シルバー Ranking Victories オンラインでRANKING GAMEを3連勝 Monarch Mk 1(Rally Car) Expert ONLINE RANK 3を獲得 Molotov Elbrus(ATV) シルバー Hero ONLINE RANK 4を獲得 ドライバー男女各1タイプ、Nord Viking(Big Rig) ゴールド Legend ONLINE RANK 5を獲得 Monarch Deerstalker(ATV) 各マシンのカラー数は追加コンテンツ導入後のもの SC=シグネチャーコレクション S=Expantion Speed A=Expantion Adrenarin ×=追加カラーなし Bike マシン アンロック条件 カラー数 追加カラー収録コンテンツ Wasabi Ventura なし 5 SC Wakazashi Razor なし 3 × Wulff Expedition オフラインランク2 6 A Mohawk Indiana オフラインランク3 3 × Wasabi Junior MX オフラインランク4 6 S Mohawk Roadhog オフラインランク5 4 SC Wasabi Oshizushi オフラインランク6 3 × Wasabi Wildcat MX オフラインランク7 3 × Wasabi Twinblade オフラインランク7 4 SC Monarch Champ オフラインランク8 3 A Wulff Enduro オフラインランク8 3 × Monarch Sparrowhawk トロフィー「Friendship」 5 A Mohawk Montana Expantion SPEED収録 3 × ATV マシン アンロック条件 カラー数 追加カラー収録コンテンツ Aztec Komodo なし 4 S Wasabi Eagle なし 3 × Wasabi Rascal オフラインランク2 4 SC Ibex Bushfire オフラインランク3 3 × Mirage Belette オフラインランク4 5 A Aztec Sabretooth オフラインランク5 3 × Ibex Scout オフラインランク5 4 × Mirage Caliano オフラインランク6 4 SC Wasabi Phoenix オフラインランク7 3 × Molotov Stuuka オフラインランク8 3 × Wombat Mudslide トロフィー「Second Best」 3 × Molotov Elbrus トロフィー「Expert」 3 × Monarch Deerstalker トロフィー「Legend」 4 SC Buggy マシン アンロック条件 カラー数 追加カラー収録コンテンツ Jester BXS なし 6 SC,A Lunar-Tec Rollcage なし 3 × Jester BXR ll Concept オフラインランク2 5 SC,A Beelzebuggy Carabid オフラインランク3 3 × Lunar-Tec Treefrog オフラインランク4 3 × Wombat Hurricane オフラインランク4 6 SC,S Humbler Diablo オフラインランク5 3 × Jester Super BXR オフラインランク6 3 × Voodoo Rattler オフラインランク7 3 × Jester BXR オフラインランク8 3 × Wombat Typhoon トロフィー「Recruit Me」 3 × Wombat Beachmaster トロフィー「Casual」 3 × Beelzebuggy Spaceframe Ⅱ トロフィー「God」 5 A Lunar-Tec R-cam Expantion SPEED収録 3 × Rally Car マシン アンロック条件 カラー数 追加カラー収録コンテンツ Patriot Blackfoot なし 4 SC,A Italia Strano なし 4 A Patriot V8 オフラインランク3 7 ※ Italia Velocita オフラインランク4 6 × Patriot Renegade オフラインランク5 3 × Patriot Surger オフラインランク6 3 × Italia Gagliano オフラインランク6 3 × Wulff Revo オフラインランク7 3 × Falfer Domino オフラインランク7 4 SC Lunar-Tec Weevil オフラインランク8 4 A Castro Toro オフラインランク8 6 S,A Ozutsu Ronin トロフィー「Challenger」 3 × Monarch Mk 1 トロフィー「Ranking Victories」 5 SC Italia Futura Expantion ADRENALINE収録 3 × ※このマシンの追加カラーはマイクロバッチコンプリートで入手可能 Racing Truck マシン アンロック条件 カラー数 追加カラー収録コンテンツ Patriot Rodeo なし 5 SC Castro Capitano なし 3 × Wulff Jager オフラインランク2 4 SC Castro Robusto オフラインランク2 3 × Ozutsu Tanto オフラインランク3 4 S Atlas Teamster オフラインランク4 5 A Castro Conquistador オフラインランク5 4 A Patriot Riot オフラインランク6 3 × Italia Vulcan オフラインランク7 3 × Voodoo Iguana オフラインランク8 3 × Ozutsu Daimyo(Racing Truck) トロフィー「Speeder」 3 × Springbok Namibia(Racing Truck) トロフィー「Zero Crash」 5 SC Springbok Kalahari(Racing Truck) トロフィー「Can't Touch This」 3 × Mad Plugger マシン アンロック条件 カラー数 追加カラー収録コンテンツ Monarch Claymore なし 5 SC,S Atlas Varjack なし 4 SC Jester BXL オフラインランク2 3 × Mojave Slugger オフラインランク2 3 × Voodoo Anaconda オフラインランク3 3 × Atlas Pacifier オフラインランク4 5 × McQueen Adventure オフラインランク4 4 SC Atlas Jackhammer オフラインランク5 3 × Monarch Bulldog オフラインランク6 3 × Lunar-Tec Asylum オフラインランク7 3 × Patriot Bushwacker オフラインランク8 3 × Mojave Globetrotter トロフィー「Speed Demon」 4 A Mirage Bastille トロフィー「Champion」 4 × Monarch Drover Expantion ADRENALINE収録 3 × Big Rig マシン アンロック条件 カラー数 追加カラー収録コンテンツ Molotov Caucasus なし 3 × Patriot Minuteman なし 5 SC,A Molotov Baikal オフラインランク2 3 × Atlas Governor オフラインランク2 4 SC Nord Jormungand オフラインランク3 5 × Castro Varadero オフラインランク3 3 × Patriot 80 オフラインランク4 3 × Lunar-Tec Buffalo オフラインランク5 3 × Lunar-Tec Invador オフラインランク6 3 × Patriot Thunderchief オフラインランク7 3 × Molotov Drago オフラインランク8 3 × Atlas Arizona トロフィー「Last Survivor」 4 SC Monarch Backpacker トロフィー「Champion」 3 S Nord Viking トロフィー「Hero」 3 × Nord Kodiak Expantion ADRENALINE収録 3 × Monster Truck マシン アンロック条件 カラー数 追加カラー収録コンテンツ Lunar-Tec Sasquatch なし 7 SC,S Lunar-Tec Wendigo なし 6 SC Beelzebuggy Bombadier オフラインランク3 5 × Lunar-Tec Yeti オフラインランク4 6 × Voodoo Mastadon オフラインランク5 7 SC,A Lunar-Tec Grendel オフラインランク6 6 × Voodoo Thunder Lizard トロフィー「Race Fan」 5 × Atlas Earthquake トロフィー「Over Drive」 5 × Atlas M-SUV Expantion SPEED収録 3 × Castro Monstruo SPEED WEEKENDクリア 3 × Falfer Imperial Expantion ADRENALINE収録 3 × Info 米公式より車種別性能表 ※（）内は前作の数字 スピード 加速力 耐久性 トラクション 操作性 路面対応力 MONSTER TRUCK 4 2 4 3 1 5 MOTORCYCLE 3 (3) 5 (5) 1 (1) 3 (3) 5 (5) 3 (3) ATV 2 (3) 3 (4) 1 (2) 5 (5) 4 (4) 4 (4) BUGGY 3 (3) 4 (4) 2 (2) 3 (3) 3 (3) 4 (4) RALLY CAR 5 (5) 4 (4) 2 (2) 3 (3) 3 (3) 2 (2) RACING TRUCK 3 (3) 3 (2) 4 (4) 4 (4) 2 (2) 4 (4) MUDPLUGGER 4 (2) 2 (2) 4 (3) 2 (5) 2 (2) 5 (5) BIG RIG 4 (2) 1 (1) 5 (5) 4 (4) 1 (1) 4 (3) Bike Bikeは非常にすばしっこく、加速力で最も優れているマシンです。 しかし、競り合いに弱いため、 ライバルマシンや障害物との接触は非常に危険です。 小さな車体を利用して狭いルートを走り、 他のマシンとの接触を避けながらゴールを目指しましょう。 ATV 四輪だからといって巨大マシンと同じように ぶつかり合いながら爆走することはできません。 その代わり、巨大マシンには無いスピードで有利に走ることができます。 さらに、車体が小さいため、狭いルートを走ることもできます。 Buggy Buggyを乗りこなすには、 高い路面対応力を活かしてラフな道を全力で走ることです。 しかし、グリップが低いのでなるべく水を避けましょう。 車体は軽いですが、ATVやBikeに当たり負けすることはありません。 Rally Carとも競り合うことはできますが、 それ以上の大きなマシンに体当たりされないよう気をつけましょう。 Rally Car Rally Carの最大の武器。それはスピードです。 平坦な路面だと、他のマシンはこの猛スピードに付いて来れません。 しかしラフな路面を走ると、非常に不安定なハンドリングになります。 水と泥はなるべく避けましょう。 Racing Truck Racing Truckはラインナップの中で最もバランスの取れたマシンです。 他のマシンと比べて特に秀でている部分はありませんが、弱点も特にありません。 様々なルートも問題なく自由自在に走ることができるので、 最も速いルートを探し出してトップを狙いましょう。 Mud Plugger Mud Pluggerの一番の強みは安定性。 全マシンの中で最高のグリップを誇るため、 どのような地形でも車体を十分にコントロールして突き進めます。 しかし、スピードと加速力は低いので、 ブーストを使いこなして弱点をカバーしましょう。 Big Rig Big Rigの一番の強みはもちろんパワーです。 しかし、この巨大な車体に似合わず、スピードも意外と出ます。 周囲をなるべく荒らさずスピードを徐々に上げていく戦略も忘れずに。 Monster Truck 走り出したら誰も止めることができないパワフルマシン。 圧倒的なパワーだけではなく、運転席も高い位置にあるため、 どの路面でも問題なく爆走できます。 しかし、スピードやコーナリング性能に弱点を持つため、 高度なドライビングテクニックのあるレーサーにしか乗りこなすことはできません。
https://w.atwiki.jp/oper/pages/3474.html
ATTO SECONDO （Atrio della reggia si vegga il mare da lungi, e per mezzo di un intercolunio, sul quale siacostruito magnifico loggiato） Scena Prima （Attalo, che frettoloso incontra Pirro; Cleone, che sopraggiunge e resta in ascolto; indi Andromaca e Cefisa） ▼ATTALO▲ Liete novelle, o Sire! ▼PIRRO▲ E che mai? parla. ▼ATTALO▲ Propizia a voti tuoi si arrende alfine La teucra principessa. ▼PIRRO▲ Oh me felice! Ma donde il sai? ▼ATTALO▲ Cefisa, Che, mia mercé, gli affetti tuoi seconda Nel cor di lei, guari non ha mel disse. A vincerla bastò l alto decreto Che a Greci in braccio abbandonava il figlio. ▼PIRRO▲ Ah! del piacer l eccesso Mi rapisce a me stesso! ▼ATTALO▲ Alfin corona tante mie cure amico il Ciel! ▼CLEONE▲ （Fra sè） Che ascolto! ▼PIRRO▲ Servo fedel! quanto a te deggio! ah venga La regal donna a me. Dal suo bel labbro si pronunzi la mia felicità. Dell inatteso annunzio, Che a tristi giorni miei Promette ormai lieta e brillante aurora, Quest alma mia pende dubbiosa ancora. ▼ATTALO▲ Tutto risponde al tuo desir. Non vedi, Che volontaria a te si reca… ▼PIRRO▲ Oh stelle! Andromaca! e fia ver? ▼CLEONE▲ （Fra sè） La tua sciagura or che da me saprai, Infelice Ermion! Che far potrai? （Parte） ▼CEFISA▲ （Fra sè） E ancor perplessa? Ah! ti rivolgi al figlio, E se perderlo vuoi, cangia consiglio. （Parte） ▼ANDROMACA▲ （Fra sè） Misera! e che farò? ▼PIRRO▲ Sperar poss io Pietosa al mio martir colei che adoro? Colei che il viver mio governa e regge? ▼ANDROMACA▲ （Fra sè） Resisti o cor! Reprimendo la sua ripugnanza （A Pirro） Ah! il tuo voler mi è legge. ▼PIRRO▲ Oh cari accenti! ah vola, Attalo, al tempio alla festiva pompa Tutto si affretti, e sia da ceppi sciolto, Anzi, qual figlio mio Si rispetti Astianatte. （Attalo parte） ▼ANDROMACA▲ （Fra sè） Oh istante! oh Dio! Ombra del caro sposo Tu mi circondi irata? Deh torna al tuo riposo, Non dubitar di me. Spero salvarti un figlio, Ma non mancar di fé. ▼PIRRO▲ A che quel mesto ciglio? Incerta ancor perché? Del greco nembo ostile Puoi paventar l offesa, Se Pirro è in tua difesa, Se scudo è al figlio, a te? ▼ANDROMACA▲ Signor… sospendi… oh Dio! ▼PIRRO▲ Ah! non fia ver, ben mio! Duo ▼ANDROMACA▲ Temo di avversa stella il barbaro rigore. ▼PIRRO▲ Tutto cangiò, se Amore Mi rese alfin mercé. Vieni a giurar sull ara, Vieni a regnar, mia diva Della tua sorte avara Cessò la crudeltà. ▼ANDROMACA▲ （Fra sè） Mi avrai, ma fredda spoglia, E lieta a dite in seno Fida al consorte almeno Quest alma scenderà. （Pirro parte） Scena Seconda （Andromaca, indi Ermione seguita da Cleone e Fenicio） ▼ANDROMACA▲ Sia compiuto il mio fato. Altro io non veggo Scampo al periglio estremo Che al caro Ettore infida, O spietata mi rende e matricida. Pria giuri a Numi in faccia Pirro salvezza al tenero Astianatte. E poi mi vegga… Oh pena! A piedi suoi spirar. Della mia morte la memoria saprà Pel figlio almeno scintilla di pietà Serbargli in seno. ▼ERMIONE▲ Ove, fatal nemica, Ove drizzi i tuoi passi? al tempio? al trono? Ma fin ch io viva, ah non sperar giammai Che tu stringa la man dell infedele. ▼ANDROMACA▲ Aggiungi a mali miei le tue querele? ▼FENICIO▲ Ma di , non sparse invano Dunque la fama, che tra breve a Pirro… ▼ERMIONE▲ E qual dubbio, o Fenicio? i vezzi e l’arti, Che usò la scaltra a riportar vittoria, Han sepolto in obblìo promesse e gloria. ▼ANDROMACA▲ Arti, vezzi! Deh taci, e in me rispetta Chi non conosci appien… potrei… ma tanto Da te diversa io sono, Che generosa all ire tue perdono. （Parte） ▼FENICIO▲ Oh Pirro incauto! ▼CLEONE▲ Oh sventurata amica! ▼ERMIONE▲ Essa corre al trionfo! Ah! dov è Pirro? Perché pria che mi lasci ei non mi ascolta, E per l ultima volta? ah! se ti muove L acerbo affanno mio, Fenicio, ah corri, Vedi per me l ingrato… a lui favella… La data fé, l amore, i giuramenti… Tutto il tuo labbro al mancator rammenti. Di che vedesti piangere Chi non conobbe ancor Che volle dir viltà. E a queste amare lacrime Conceda il traditor Se non amor, pietà. ▼FENICIO▲ Ah! voglia il Ciel che a detti miei si arrenda Quell alma pertinace! （Parte） ▼CLEONE▲ Eh! non fia degno Più di Ermion chi l alte doti, i pregi Tanto sprezzò di lei. ▼ERMIONE▲ Taci, e se grata Esser mi vuoi, lusinga i sensi miei, Pingilo amante, avviva in me la speme, Ch ei ritorni pentito, e che il rimorso Abbia quel cor dal suo fallir già scosso… Ah no… senza di lui viver non posso! Amata, l amai, L adoro, sprezzata; E sento che mai Quest alma piagata L acerba ferita Potrà risanar. Mi tolgan la vita Le atroci mie pene, Ma in queste catene Vo fida spirar. （Si sente da lungi festiva marcia; indi sul loggiato in prospetto vedesi Pirro, che conduce per mano Andromaca. Il numeroso corteggio attraversa la scena, mentre cantasi il coro） ▼CLEONE▲ Ma che ascolto? ▼ERMIONE▲ Qual lieto concento? ▼CLEONE▲ Infelice! mi segui… ▼ERMIONE▲ Oh tormento! ▼CLEONE▲ Delle nozze la pompa si avanza ▼ERMIONE▲ Ah! lo perdo! non ho più speranza! Mi abbandona l usato vigor! ▼CORO▲ （che accompagna il corteggio） Premia o Amore sì bella costanza, Questa coppia felice tu rendi; In que petti propizio deh scendi, E gli avviva di tenero ardor. （In questo frattempo Ermione è quasi priva di sensi; guarda sull alto, e non vedendo più Pirro, languemente esclama） ▼ERMIONE▲ Un empia mel rapì! Egli più mio non è! Come si può così mancar di fedeltà? E questa soffre il Ciel perfidia ed empietà? E ancor per l infedel un fulmine non ha? Scena Terza （Coro di donzelle. e di amici di Ermione, indi Oreste） ▼CORO▲ Il tuo dolor ci affretta a consolarti… ▼ERMIONE▲ Andate! Tutti da me sgombrate! Vendetta… ah sì… vendetta Sol pace a me darà. ▼CORO▲ L addita una vendetta Chi a te negar potrà? ▼ORESTE▲ Che più a veder si aspetta? Sei tu così oltraggiata! ▼ERMIONE▲ Di … mi ami ancora? ▼ORESTE▲ Ingrata! Puoi dubitarne? ▼ERMIONE▲ Ah vanne… Se l amor mio ti è caro, （gli presenta un pugnale） Immergi questo acciaro nel sen del traditor. Del sangue suo fumante Fa ch io lo vegga… E allor… ▼ORESTE▲ （inorridito） Che dici mai! ▼ERMIONE▲ Tu amante! Degno di me non sei, O vile! o debil cor! ▼ORESTE▲ Incerto… palpitante… Chi regge i passi miei? Quanto mi costi, o Amor! （Parte confuso） Concertante ▼ERMIONE▲ Se a me nemiche o stelle, Se irate ancor non siete, La destra voi reggete del mio vendicator. De tristi affetti miei Strano e fatal conflitto! Attende da un delitto ristoro il mio dolor! Misero cor trafitto! Oh sventurato ardor! （bis） ▼CLEONE, CORO▲ Troppo è quel cor trafitto Da barbaro dolor! （Ermione, che parte furibonda, è seguita da tutti） Scena Quarta （Fenicio, indi Pilade） ▼FENICIO▲ Ah qual sovrasta a Pirro Atra sciagura! invan le usate vie Io tentai di quel cor sordo a miei prieghi, Ei da sé mi discaccia, E nel nodo fatale ebbro si allaccia. ▼PILADE▲ Ov è Oreste, o Fenicio? ▼FENICIO▲ Io non mi avvenni in lui finor. ▼PILADE▲ Vero è, che Pirro… ▼FENICIO▲ Ah! troppo! Così non fosse il ver! ▼PILADE▲ Oh forsennato! Già d immense falangi Veggo alla guida Agamennon, che fiero Il grave oltraggio a vendicar si accinge, Ed Epiro di assedio avvolge e stringe. ▼FENICIO▲ A così trista immagine L alma dolente geme! ▼PILADE▲ E di evitarsi il turbine Come nudrir più speme? ▼PILADE e FENICIO▲ Quanto sei sempre infausto Mal consigliato Amor! Voi, Numi, ah disarmate Il vostro giusto sdegno Da Greci allontanate La strage ed il terror. （bis） （Partono per opposte vie） Scena Quinta （Ermione nella estrema agitazione, indi Oreste） ▼ERMIONE▲ Che feci? dove son? m insegue ovunque Spaventevole immago! errante il piede Ove io volga non so!… dal mio tiranno Mentre fugge il pensiero, Amor crudele Al pensier lo ritorna, e quando a morte lo abbandona il furor che mi divora, se l amo o se l abborro ignoro ancora. Parmi che ad ogn istante, De suoi rimorsi al grido, Ei si arresti, a me rieda, E del suo lungo error perdon mi chieda. Ma de suoi giorni al fin, donna spietata! Or non corre per te? rapido oh quanto Fu il cenno tuo!… Ti offuscò il senno, il ciglio La furia che t investe… Ah no!… fermati, Oreste! Chi ti spinge a seguir mia rabbia stolta? Fermati! Io perdono un altra volta… Ah misera! deliro! all aura io spargo I miei lamenti… e in questo punto… io gelo! Santi Numi del Cielo! Chi a me s avanza? Oreste! al fero sguardo. Al passo incerto, alle scomposte chiome Già quest alma agitata prevede il suo destin… ▼ORESTE▲ （presentandole il pugnale datogli, intriso di sangue） Sei vendicata. ▼ERMIONE▲ Vendicata! e di qual sangue… Giusto Ciel! quel ferro hai tinto? ▼ORESTE▲ Tu il chiedesti? e giace estinto Quel crudel che ti oltraggiò. ▼ERMIONE▲ Oh barbarie orrenda! estrema! （Coprendosi colle mani il volto inorridita） ▼ORESTE▲ Già di Andromaca sul crine Risplendea regal diadema Trascorrendo ogni confine, Pirro, audace, a Greci in faccia, Preda vil di molle affetto, Serbar d Ilio al pargoletto Vita e scettro ancor giurò. ▼ERMIONE▲ Dei! qual giuro! ▼ORESTE▲ A tanto eccesso Chi frenar può l ira ascosa, Che gli argivi petti invade? Già lampeggian mille spade, A ferir già ognun si affretta, E di un grido di vendetta! Tutto il tempio risuonò. ▼ERMIONE▲ Quale orror! ▼ORESTE▲ Tutto è sconvolto… Pirro è cinto… è a lui rivolto Ogni ferro… ei cade… il vedo Già trafitto… a te men riedo… E l pugnal, che ad altra mano affidai, ti rendo… ▼ERMIONE▲ Oh insano! Oh ardir folle! ah! va ! ti ascondi, O maggior di ogni altra belva! Va ! tra boschi ti rinselva! Cela al guardo de viventi Un sicario, un traditor! ▼ORESTE▲ Che mai dici? quali accenti? Non mi spinse a tal misfatto Il tuo labbro seduttor? ▼ERMIONE▲ T ingannasti… Era un amante Forsennata, delirante, che parlò. ▼ORESTE▲ Che ascolto! ▼ERMIONE▲ Ah dimmi… Il mio cor… sì, questo core… Non smentiva… anima rea! Ciò che il labbro a te chiedea? Ne suoi palpiti frequenti Non vedesti, non leggesti, Ch egli ardea d immenso amor? ▼ORESTE▲ Pirro amavi? e perché o barbara! Lusingar gli affetti miei? Ah crudel! tu fosti e sei Fatal sempre a questo cor! ▼ERMIONE▲ Fiere Eumenidi! sorgete! Voi, che invoco, ah distruggete D empio fallo il tristo autor! ▼ORESTE▲ Sì… Del mio rimorso eterno Mille in sen furie di Averno Già mi accrescono l orror! Scena Ultima （Pilade con suoi seguaci e detti） ▼PILADE▲ Ah! ti rinvenni! ▼CORO▲ Fuggiam! fuggiamo! ▼PILADE▲ Dall ira salvati di un popol forte, Che te sol chiede… che la tua morte Brama in vendetta del suo signor. ▼ERMIONE▲ Ah sarò paga! ▼ORESTE▲ No… mi lasciate… A miei nemici mi abbandonate. ▼PILADE▲ Vieni… ▼CORO▲ Ti arrendi… ▼ORESTE▲ Che osate… o barbari! ▼PILADE▲ Cedi all amico… vieni… ti guido Fra i cari amplessi del genitor. ▼ERMIONE▲ （vacillando） Mostro! tu fuggi! ▼CORO▲ Già il legno è al lido… ▼ERMIONE▲ Va pur… sia… vindice… quel flutto… infido De … tuoi… delitti… del… mio… dolor. （Cade svenuta） ▼ORESTE▲ Cadete, o fulmini! morte! io ti sfido! No, più a quest anima non dai terror! ▼PILADE e CORO▲ Calmate o stelle tanto furor! （Pilade e i suoi seguaci trascinano verso il lido Oreste quasi privo di sensi.） ATTO SECONDO (Atrio della reggia si vegga il mare da lungi, e per mezzo di un intercolunio, sul quale siacostruito magnifico loggiato) Scena Prima (Attalo, che frettoloso incontra Pirro; Cleone, che sopraggiunge e resta in ascolto; indi Andromaca e Cefisa) ATTALO Liete novelle, o Sire! PIRRO E che mai? parla. ATTALO Propizia a voti tuoi si arrende alfine La teucra principessa. PIRRO Oh me felice! Ma donde il sai? ATTALO Cefisa, Che, mia mercé, gli affetti tuoi seconda Nel cor di lei, guari non ha mel disse. A vincerla bastò l alto decreto Che a Greci in braccio abbandonava il figlio. PIRRO Ah! del piacer l eccesso Mi rapisce a me stesso! ATTALO Alfin corona tante mie cure amico il Ciel! CLEONE (Fra sè) Che ascolto! PIRRO Servo fedel! quanto a te deggio! ah venga La regal donna a me. Dal suo bel labbro si pronunzi la mia felicità. Dell inatteso annunzio, Che a tristi giorni miei Promette ormai lieta e brillante aurora, Quest alma mia pende dubbiosa ancora. ATTALO Tutto risponde al tuo desir. Non vedi, Che volontaria a te si reca… PIRRO Oh stelle! Andromaca! e fia ver? CLEONE (Fra sè) La tua sciagura or che da me saprai, Infelice Ermion! Che far potrai? (Parte) CEFISA (Fra sè) E ancor perplessa? Ah! ti rivolgi al figlio, E se perderlo vuoi, cangia consiglio. (Parte) ANDROMACA (Fra sè) Misera! e che farò? PIRRO Sperar poss io Pietosa al mio martir colei che adoro? Colei che il viver mio governa e regge? ANDROMACA (Fra sè) Resisti o cor! Reprimendo la sua ripugnanza (A Pirro) Ah! il tuo voler mi è legge. PIRRO Oh cari accenti! ah vola, Attalo, al tempio alla festiva pompa Tutto si affretti, e sia da ceppi sciolto, Anzi, qual figlio mio Si rispetti Astianatte. (Attalo parte) ANDROMACA (Fra sè) Oh istante! oh Dio! Ombra del caro sposo Tu mi circondi irata? Deh torna al tuo riposo, Non dubitar di me. Spero salvarti un figlio, Ma non mancar di fé. PIRRO A che quel mesto ciglio? Incerta ancor perché? Del greco nembo ostile Puoi paventar l offesa, Se Pirro è in tua difesa, Se scudo è al figlio, a te? ANDROMACA Signor… sospendi… oh Dio! PIRRO Ah! non fia ver, ben mio! Duo ANDROMACA Temo di avversa stella il barbaro rigore. PIRRO Tutto cangiò, se Amore Mi rese alfin mercé. Vieni a giurar sull ara, Vieni a regnar, mia diva Della tua sorte avara Cessò la crudeltà. ANDROMACA (Fra sè) Mi avrai, ma fredda spoglia, E lieta a dite in seno Fida al consorte almeno Quest alma scenderà. (Pirro parte) Scena Seconda (Andromaca, indi Ermione seguita da Cleone e Fenicio) ANDROMACA Sia compiuto il mio fato. Altro io non veggo Scampo al periglio estremo Che al caro Ettore infida, O spietata mi rende e matricida. Pria giuri a Numi in faccia Pirro salvezza al tenero Astianatte. E poi mi vegga… Oh pena! A piedi suoi spirar. Della mia morte la memoria saprà Pel figlio almeno scintilla di pietà Serbargli in seno. ERMIONE Ove, fatal nemica, Ove drizzi i tuoi passi? al tempio? al trono? Ma fin ch io viva, ah non sperar giammai Che tu stringa la man dell infedele. ANDROMACA Aggiungi a mali miei le tue querele? FENICIO Ma di , non sparse invano Dunque la fama, che tra breve a Pirro… ERMIONE E qual dubbio, o Fenicio? i vezzi e l’arti, Che usò la scaltra a riportar vittoria, Han sepolto in obblìo promesse e gloria. ANDROMACA Arti, vezzi! Deh taci, e in me rispetta Chi non conosci appien… potrei… ma tanto Da te diversa io sono, Che generosa all ire tue perdono. (Parte) FENICIO Oh Pirro incauto! CLEONE Oh sventurata amica! ERMIONE Essa corre al trionfo! Ah! dov è Pirro? Perché pria che mi lasci ei non mi ascolta, E per l ultima volta? ah! se ti muove L acerbo affanno mio, Fenicio, ah corri, Vedi per me l ingrato… a lui favella… La data fé, l amore, i giuramenti… Tutto il tuo labbro al mancator rammenti. Di che vedesti piangere Chi non conobbe ancor Che volle dir viltà. E a queste amare lacrime Conceda il traditor Se non amor, pietà. FENICIO Ah! voglia il Ciel che a detti miei si arrenda Quell alma pertinace! (Parte) CLEONE Eh! non fia degno Più di Ermion chi l alte doti, i pregi Tanto sprezzò di lei. ERMIONE Taci, e se grata Esser mi vuoi, lusinga i sensi miei, Pingilo amante, avviva in me la speme, Ch ei ritorni pentito, e che il rimorso Abbia quel cor dal suo fallir già scosso… Ah no… senza di lui viver non posso! Amata, l amai, L adoro, sprezzata; E sento che mai Quest alma piagata L acerba ferita Potrà risanar. Mi tolgan la vita Le atroci mie pene, Ma in queste catene Vo fida spirar. (Si sente da lungi festiva marcia; indi sul loggiato in prospetto vedesi Pirro, che conduce per mano Andromaca. Il numeroso corteggio attraversa la scena, mentre cantasi il coro) CLEONE Ma che ascolto? ERMIONE Qual lieto concento? CLEONE Infelice! mi segui… ERMIONE Oh tormento! CLEONE Delle nozze la pompa si avanza ERMIONE Ah! lo perdo! non ho più speranza! Mi abbandona l usato vigor! CORO (che accompagna il corteggio) Premia o Amore sì bella costanza, Questa coppia felice tu rendi; In que petti propizio deh scendi, E gli avviva di tenero ardor. (In questo frattempo Ermione è quasi priva di sensi; guarda sull alto, e non vedendo più Pirro, languemente esclama) ERMIONE Un empia mel rapì! Egli più mio non è! Come si può così mancar di fedeltà? E questa soffre il Ciel perfidia ed empietà? E ancor per l infedel un fulmine non ha? Scena Terza (Coro di donzelle. e di amici di Ermione, indi Oreste) CORO Il tuo dolor ci affretta a consolarti… ERMIONE Andate! Tutti da me sgombrate! Vendetta… ah sì… vendetta Sol pace a me darà. CORO L addita una vendetta Chi a te negar potrà? ORESTE Che più a veder si aspetta? Sei tu così oltraggiata! ERMIONE Di … mi ami ancora? ORESTE Ingrata! Puoi dubitarne? ERMIONE Ah vanne… Se l amor mio ti è caro, (gli presenta un pugnale) Immergi questo acciaro nel sen del traditor. Del sangue suo fumante Fa ch io lo vegga… E allor… ORESTE (inorridito) Che dici mai! ERMIONE Tu amante! Degno di me non sei, O vile! o debil cor! ORESTE Incerto… palpitante… Chi regge i passi miei? Quanto mi costi, o Amor! (Parte confuso) Concertante ERMIONE Se a me nemiche o stelle, Se irate ancor non siete, La destra voi reggete del mio vendicator. De tristi affetti miei Strano e fatal conflitto! Attende da un delitto ristoro il mio dolor! Misero cor trafitto! Oh sventurato ardor! (bis) CLEONE, CORO Troppo è quel cor trafitto Da barbaro dolor! (Ermione, che parte furibonda, è seguita da tutti) Scena Quarta (Fenicio, indi Pilade) FENICIO Ah qual sovrasta a Pirro Atra sciagura! invan le usate vie Io tentai di quel cor sordo a miei prieghi, Ei da sé mi discaccia, E nel nodo fatale ebbro si allaccia. PILADE Ov è Oreste, o Fenicio? FENICIO Io non mi avvenni in lui finor. PILADE Vero è, che Pirro… FENICIO Ah! troppo! Così non fosse il ver! PILADE Oh forsennato! Già d immense falangi Veggo alla guida Agamennon, che fiero Il grave oltraggio a vendicar si accinge, Ed Epiro di assedio avvolge e stringe. FENICIO A così trista immagine L alma dolente geme! PILADE E di evitarsi il turbine Come nudrir più speme? PILADE e FENICIO Quanto sei sempre infausto Mal consigliato Amor! Voi, Numi, ah disarmate Il vostro giusto sdegno Da Greci allontanate La strage ed il terror. (bis) (Partono per opposte vie) Scena Quinta (Ermione nella estrema agitazione, indi Oreste) ERMIONE Che feci? dove son? m insegue ovunque Spaventevole immago! errante il piede Ove io volga non so!… dal mio tiranno Mentre fugge il pensiero, Amor crudele Al pensier lo ritorna, e quando a morte lo abbandona il furor che mi divora, se l amo o se l abborro ignoro ancora. Parmi che ad ogn istante, De suoi rimorsi al grido, Ei si arresti, a me rieda, E del suo lungo error perdon mi chieda. Ma de suoi giorni al fin, donna spietata! Or non corre per te? rapido oh quanto Fu il cenno tuo!… Ti offuscò il senno, il ciglio La furia che t investe… Ah no!… fermati, Oreste! Chi ti spinge a seguir mia rabbia stolta? Fermati! Io perdono un altra volta… Ah misera! deliro! all aura io spargo I miei lamenti… e in questo punto… io gelo! Santi Numi del Cielo! Chi a me s avanza? Oreste! al fero sguardo. Al passo incerto, alle scomposte chiome Già quest alma agitata prevede il suo destin… ORESTE (presentandole il pugnale datogli, intriso di sangue) Sei vendicata. ERMIONE Vendicata! e di qual sangue… Giusto Ciel! quel ferro hai tinto? ORESTE Tu il chiedesti? e giace estinto Quel crudel che ti oltraggiò. ERMIONE Oh barbarie orrenda! estrema! (Coprendosi colle mani il volto inorridita) ORESTE Già di Andromaca sul crine Risplendea regal diadema Trascorrendo ogni confine, Pirro, audace, a Greci in faccia, Preda vil di molle affetto, Serbar d Ilio al pargoletto Vita e scettro ancor giurò. ERMIONE Dei! qual giuro! ORESTE A tanto eccesso Chi frenar può l ira ascosa, Che gli argivi petti invade? Già lampeggian mille spade, A ferir già ognun si affretta, E di un grido di vendetta! Tutto il tempio risuonò. ERMIONE Quale orror! ORESTE Tutto è sconvolto… Pirro è cinto… è a lui rivolto Ogni ferro… ei cade… il vedo Già trafitto… a te men riedo… E l pugnal, che ad altra mano affidai, ti rendo… ERMIONE Oh insano! Oh ardir folle! ah! va ! ti ascondi, O maggior di ogni altra belva! Va ! tra boschi ti rinselva! Cela al guardo de viventi Un sicario, un traditor! ORESTE Che mai dici? quali accenti? Non mi spinse a tal misfatto Il tuo labbro seduttor? ERMIONE T ingannasti… Era un amante Forsennata, delirante, che parlò. ORESTE Che ascolto! ERMIONE Ah dimmi… Il mio cor… sì, questo core… Non smentiva… anima rea! Ciò che il labbro a te chiedea? Ne suoi palpiti frequenti Non vedesti, non leggesti, Ch egli ardea d immenso amor? ORESTE Pirro amavi? e perché o barbara! Lusingar gli affetti miei? Ah crudel! tu fosti e sei Fatal sempre a questo cor! ERMIONE Fiere Eumenidi! sorgete! Voi, che invoco, ah distruggete D empio fallo il tristo autor! ORESTE Sì… Del mio rimorso eterno Mille in sen furie di Averno Già mi accrescono l orror! Scena Ultima (Pilade con suoi seguaci e detti) PILADE Ah! ti rinvenni! CORO Fuggiam! fuggiamo! PILADE Dall ira salvati di un popol forte, Che te sol chiede… che la tua morte Brama in vendetta del suo signor. ERMIONE Ah sarò paga! ORESTE No… mi lasciate… A miei nemici mi abbandonate. PILADE Vieni… CORO Ti arrendi… ORESTE Che osate… o barbari! PILADE Cedi all amico… vieni… ti guido Fra i cari amplessi del genitor. ERMIONE (vacillando) Mostro! tu fuggi! CORO Già il legno è al lido… ERMIONE Va pur… sia… vindice… quel flutto… infido De … tuoi… delitti… del… mio… dolor. (Cade svenuta) ORESTE Cadete, o fulmini! morte! io ti sfido! No, più a quest anima non dai terror! PILADE e CORO Calmate o stelle tanto furor! (Pilade e i suoi seguaci trascinano verso il lido Oreste quasi privo di sensi.) Rossini,Gioachino/Ermione
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VERSION GENRE TITLE ARTIST bpm notes 属性 11 IIDX RED NATURAL SOUND Wonder Bullfighter Twin AmadeuS 126 1642 - 攻略・コメント 名前 コメント
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